The end of the road for Britain’s sound recording clubs

The Internet has done for many older forms of exchanging information – physical newspapers and magazine curculations are a shadow of their former selves. Much of this is Schumpeter’s Gale at work. it simply makes it easier to share information and ideas by disntermediating. The publishers and gatekeepers of the old world are rendered redundant. This isn’t an unalloyed win – they performed a role in screening out the rubbish, and this role has now moved to the search engines to try and make sense of the multimedia firehose pointed at your face.

the logo of the former British Sound Recording Association
the logo of the former British Sound Recording Association

People moaned that printed publications tended to favour articles that promoted their advertisers’ products. I’m not quite sure that Google adsense is necessarily a step up from that, but being able to share audio, video, images and writing all in the space of a generation is great.

The Long, Slow Vanish Of Britain’s Illustrious Recording Clubs

I came across this topic in a throwaway line in one of the Wildlife Sound Recording Society‘s newsletters, to wit

When the Society was formed, back in 1968, there were many tape recording societies around the country, today there are very a few. A google search only found one other. WSRS has stood the test of time because of the society’s specialist interest.[wildlife sounds]

Paul Pratley, WSRS secretary 2014

and Google was indeed my friend, it’s possible that Paul was already behind the times. The British Sound Recording Association closed its doors in a meeting in Oxford, to be ratified in November 2014.

NPR has a short radio piece  with a few snippets culled from the BSRA’s last meeting in Oxford in June 2014. On the face of it it this seems bizarre – in a world full of podcasters and with sound being used more and more for non-music uses it puzzles me how and where the BSRA failed to move forward. I was never a member because I didn’t see what I could learn from it, and I am not a competition guy – I have never been, either in the fields of sound recording or photography, despite the fact than I manage to take pictures and field recordings that people license. I don’t decry competitions or competing – I simply don’t understand.

This May the BSRA voted by a significant margin of 17 to 9 to wind itself up and cease operations in November.

The problem was called out over forty years ago – if sound is about all about music for you, buy a a good stereo system, not a tape recorder

Dropout called out the problem, in his valedictory column in the last issue of Tape Recorder magazine [ref]Tape Recorder, April 1970 page 173; you can find back issues in PDF at http://www.americanradiohistory.com/ – look for Studio Sound in Audio and Recording[/ref] issue before it became Studio Sound.

RECORDING BEGINS WITH A MICROPHONE
Recording begins, oddly enough, with a microphone ; and what your amateur recordist lacks is access to signals which are worth recording, if his interest be confined to music.
Oh, something can be done along those lines ; but how many tapes have you made which
you can replay with the kind of musical satisfaction you get from your chosen repertory
of discs? I’ll bet it’s very few ; I know it is with me.

But then, I long ago abandoned that fantasy, and began to derive my reproduced music from the radio and the gramophone. I use my recorders—three mains’ machines and a battery-portable—for other things; and when I say use, I mean use.

But, with reluctance, I have come to the conclusion that most amateur recordists have no interests with which tape can help them or—which is more likely—they have not the imagination to see what those interests might be.

Dropout, Tape Recorder magazine, April 1970

I was a child when he wrote that and never read it, but there was something magical about going out with a EL3302 cassette recorder and bringing some of the birds back in with me from the garden. The sparrows have now left my parents’ garden in London, indeed for reasons unknown they have left the city en masse.

Sparrow calls in Ipswich

It would have been nice to have had some of those old C60s with London sparrow sounds from the 1970s. Not particularly because they would have sounded that different, probably, but as a memento of flocks long gone.

The Internet has fostered a new breed of sound hunters – and phonography, sound art and field recordists are well represented. It’s not clear to me how the BSRA lost its mojo, but I admire them for having the honesty to recognise it. I do wonder if the contest mindset is perhaps an anachronism in today’s environment – the whole open-source and mashup culture of, say, freesound is a world apart from the highly structured approach of the British Amateur Recording Contest. I wouldn’t know where to start with the latter.

Audio Measurements and beyond rightMark

The goto program for audio measurement in the Internet age is RightMark Audio Analyzer (RMAA). It’s not an easy program to use in isolation, and is used best with some old-skool analogue technology. In particular, it doesn’t really do absolute level in any way – everything is referenced to 0dBFS.

RMAA testing is deconstructed by NwAvGuy here. His thesis is that it is impossible to use RMAA right. particularly if you have no experience of analogue electronics and no other test gear. And I’m guilty as charged of publishing RMAA test results on the internet 🙂

It saddens me a little bit that measurement has now become go out and buy £x,000 worth of test gear, plug it it, attach to D.U.T. press the button and report the result. And if you can’t do that, well, no Audio Precision test kit, no comment. I’m not dissing NwAvGuy’s observation – it’s the loss of other ways of testing audio gear I regret. I don’t test for distortion – I scan for it. That’s because I’m testing finished gear usually for how noisy it is with mics at low levels. If distortion/frequency response looks okay/reasonable with RMAA that’s great, if it doesn’t I look for what I have done wrong in setup. Most manufacturers get the distortion and frequency response basics right, but mic preamp noise does vary because most audio recording is music and therefore has plenty of signal, so preamp noise is not usually a key parameter in a field recorder.

BBC Designs EP14/1 audio test set - a tone source and a meter
BBC Designs EP14/1 audio test set – a tone source and a meter

Way back when I was working at BBC Designs, using their EP14/1 test set things were a little more from first principles than ‘press the button of this expensive gear and report back’. The EP14/1 was basically a tone source and a meter with a precision attenuator in front of it.The meter was used comparatively – you would adjust the attenuators to make it read the same as a reference reading, and the wanted information was in the different setting of the attenuators. This way any nonlinearity of the meter scale was greatly minimised. Continue reading “Audio Measurements and beyond rightMark”

Field recording using an iPod mic input and SpectrumView

recording sound using a smartphone is like a dog’s walking on his hind legs. It is not done well; but you are surprised to find it done at all.

After Samuel Johnson

The smartphone/iDevice is the preferred window to the world of many people – it’s small, it’s handy, it does everything. It’s always with you. And it will do field recording, of sorts.

The internal microphone is usually a noise cancelling microphone designed to favour nearby sounds over ones far away – usually by letting ambient sounds sneak onto the back of the mic capsule to cancel out the ambient sounds impinging on the front. You, being closer to the front and shaded from the back cancel out less. Crude, but it sort of works.

Use an external microphone, not the handset one

That’s not where you want to go as a field recordist, indeed if you could discriminate against your fumbling and breathing noises you’d be better off 🙂

You want to be able to use an external mic. Omni for general run and gun ambient drive-by recordings, and a directional/shotgun mic if you want to pick out a particular birds. To use the latter well you need to be able to hear what you’re doing. Shame, is one of the big failings of smartphone audio is that your can’t record and monitor at the same time. It’s not unreasonable, you rarely want to hear that much of yourself in a phone conversation.

You need an external adaptor lead to convert the 4 pole headphone socket to a stereo headphone + mono microphone connector, these are cheap enough on ebay

You can’t do stereo microphone recording this way, it’s mono only. The input provides plug-in-power to energise electret mic capsules, because this is the typical active device in a phone headset.

Testing frequency response and sensitivity

I tested the frequency response using Rightmark audio analyser, and it looks good enough

Frequency sweep - this is good (the vertical scale is highly expanded)
Frequency sweep – this is good (the vertical scale is highly expanded)

Going in with 1k  tone at -67dBu and 150Ω source impedance the tone level was -32dBFS RMS   and with the tone off the signal was -70dBFS RMS implying a self-noise of -105dBu [ref]44.1kHz sampling, 22kHz BW, PCM, manual gain using the app SpectrumView[/ref] Which is acceptable for urban field recording, though not stellar.

Big FAIL in the field – no monitoring

The big trouble, however, is that you can’t hear anything through the headphones, so you can’t aim a directional mic. Which makes the whole rig a bit crap to use in the field, and this doesn’t seem to be fixable.

There are other bits that grate – for instance the iPod doesn’t always pick up there’s an external microphone, so you can end up viewing the internal mic instead. Then there’s the usual rattiness of apps all round, about 1 in 30 times it just hangs outputting trash on the screen. In general, as a field recorder, smartphones suck. They can be used, but anyone who has used a real field recorder will miss the positive action of real buttons, real record level controls, real metering, and yes, being able to hear what they are doing.

Wild Mountain Echoes has a good summary of the sort of hurt associated with smartphone audio recording. Dr Johnson was right. It can be done, just not well.

Big WIN in the field – live spectrum display

Being able to watch a live sonogram using spectrumview is pretty awesome, and it’s a good sonogram, too, quite well suited to general bird sounds.

The best of all worlds, use a field recorder before the iPod!

It is not done well; but you are surprised to find it done at all.

Best not argue with Dr Johnson 🙂 As a recorder my iPod was flaky and with an input noise level some 20dB off what it could be and mono it’s nothing special even when it does record.

You can get the sonogram by feeding the iPod or smartphone/i-Device downstream of your field recorder – simply use a headphone y-splitter out of the recorder with one side going to your headphones and the other to the iDevice input, and set the gain of the iDevice waaaay down. You don’t have to record with it.

You now have a reliable recorder, decent mic preamps, you get to monitor what you record and if the iDevice throws a wobbly then you still have a good recording. But you how get a lovely spectrogram in live real-time. This is something that’s really excellent. In an ideal world the spectrogram would be built into the field recorder, however running it really hammers battery life so it’s good to have it optional. And it needs to be in colour.

Mill Stream Nature Reserve

Part of the nature reserves series

Mill Stream is a local nature reserve running along the boundary between Rushmere St Andrew and Foxhall Heath, starting from Rushmere Golf course and running through to Foxhall Road dip, opposite the Nuffield Hospital. I started from the Brendon Drive access parking my bike there – there is no car parking for this local nature reserve, and followed the Jubilee path marker 12

There’s some interesting local history – the large Oak trees mark the boundary between the parishes.

[osm_map lat=”52.054″ lon=”1.223″ zoom=”14″ width=”600″ height=”450″ control=”mouseposition,scaleline” map_border=”thin solid blue” theme=”ol” marker=”52.05765,1.22022″ marker_name=”wpttemp-green.png”]

Goldfinch flock feeding near the old shooting range

Further towards Bixley there was a Boer War/WW1 shooting range, with the large sandbank there to catch any stray projectiles. Apparently brave souls hoisted targets above the wall that gave them some protection.

This extended bank absorbed stray WW1 projectiles from the shooting range
This extended bank absorbed stray WW1 projectiles from the shooting range

Robin, with long-tailed tits flock at the start

The reserve is surprisingly quiet, particularly at the northern end, though you’re never that far away from human habitation here.There are some muddy parts to the path where it runs close to the stream, particularly at the Rushmere common end.

It gets noisier towards the Foxhall Road Dip – the path does carry on across the road but it’s a fast road and visibility is dreadful.

This was a pleasant little gem – I’d driven past the Foxhall Road dip many times for years without knowing this was here

141110_board_PB100784

Sightings

If I will show up at noon I’m not going to see/hear that much 😉

  • Robin
  • Blue Tit
  • Great Tit
  • Blackbird
  • Dunnock
  • Starling
  • Jay
  • Magpie
  • Goldfinch
  • long-tailed Tit
  • Chaffinch
  • Woodpigeon

Info

Parking: none
dogs: present. Should be on leads according to the leaflet to avoid disturbing the wildlife
condtions: mostly dry but some parts were muddy across the width of the path. You don’t need wellies but decent walking boots help.

Other resources

 

A lower energy more expandable Pigcam network

Is covering a 12-acre farm with WiFi a reasonable idea? If so, I could run multiple cameras, say have one on the cows and one on the pigs, all connected to a central location, On the upside, the farm is roughly square and with a mild slope to the ridge at the top. Everything is pretty much line of sight. On the downside, there’s no good central location, which would be the obvious way to service the farm with 2.4GHz WiFi. Distances are long – the field is about 250m wide/long, and I could easily pick up a 300m path length feeding from the edge.

the MiFi node and power management
the MiFi node and power management

Earlier experiments showed that I could in theory use native WiFi, using a router to receive BTFon from a broadband connection in the town over a high-gain antenna and redistributing it from a WiFi AP. The trouble is I am desperately short of power – every extra piece of kit means more frequent battery changing. In the end I went with a more powerful MiFi access point – one that supported an external WiFi aerial. I used a 9dB TP-Link patch antenna

This feed the farm from one edge, as it happens the antenna is furthest away from the most likely camera sites but slightly higher than the target sites. The signal pattern fans out quite well, serving the likely points of interest. I was chuffed with the performance of the aerial – it gives the right balance of directionality, as I don’t need to bother to serve the field behind me, but it gives very useful gain in the wanted direction – I can just about get a wifi connection with the internal antenna of my iPod touch from the opposite corner of the field. As the forest garden and some of the windbreak trees grow I may experience problems, but that is for another day. By then perhaps we have a site with mains power 🙂

For the MiFi unit I used a TP-Link MR3220 – it’s surprisingly hard to find a MiFi box with an external WiFi aerial socket, because not unreasonably they anticipate you using this sort of thing as a personal cloud. I had to live with the 9V powering and used a Chinese Ebay 12V to 9V converter switchmode converter to efficiently turn the 12V battery power to 9VDC

The other part of improving range is to upgrade the camera end with a WiFi card with an external rather than internal antenna; since the Pice case has been withdrawn I need another solution for that. The PICE case also still exposes the Raspberry Pi camera lens to the elements which is Not a Good Thing leading to the lens haziness problem.

It doesn’t really matter how big the camera is, so I took the opportunity of using a much larger box – a  Hammond case 1599 to fit it all in.

If you’re going to put something outside then the fewer holes you can drill the better, hence the use of sticky pads and cable ties as mounts, and the single 2.1mm power socket on the base, so water could drain out that way if necessary, and could be standing 0.5cm without affecting the electronics.

The case has several mounting lugs in the lid, but in the end I will have to drill a hole for the camera. I placed an O ring on the case and a microscope slide pressed down by foam and the camera to make a watertight seal but keep the elements out of the lens; that way hopefully I get to either clean or replace the microscope slide after a season is out rather than the camera.

camera mounted in the lid
camera mounted in the lid. Reed switch is top left wit the yellow wires, the 1p glued to the case holds the magnet there because they are made of steel these days not copper.

The 12V to 5V converter is mounted in the case; that way any cable losses aren’t too bad and the current in the supply cable is reduced, it is about 200mA max.

Setting it up in the field

Pig Camera in service
Pig Camera in service

The paving slab is there because the first version of the tripod ended up flat on its back in the morning. At least the construction can survive a fall of 2m. Perhaps the neoprene sunshade and the extra area at the top of the pole presents too much wind loading.

Camera close-up
Camera close-up

Controlling the Pi

I postulated all sorts of complex feedback when first considering this, letting the Pi tell the microcontroller to turn the Pi off with a GPIO pin, but it’s been massively simplified. A microcontroller powers up the Pi, and pulls the power after 5 minutes. Then it waits 10 minutes and does it again, provided that the 12V supply is enough (>11.5V) and it is daylight.

I use similar Python code to the first cut, but this time I start running the takepic.py camera code on startup. I look for a switch closed on the GPIO, and if so, abort uploading the picture because the Pi is in service mode1. This switch is a reed switch mounted on the inside of the case and activated by sticking a magnet to it, this saves a hole. It lets me get onto the Pi and configure it. Normally the switch is open, in which case the Pi tells the system to do a shutdown in 4 minutes, which is enough to connect, get Wifi network DHCP and SFTP the picture to the website. 5 minutes after powerup, the microcontroller managing power pulls the power from the Pi.

The shutdown command on the Pi minimizes the chance of corrupting the SD card, and the picture is written to the /run/shm/ ramdisk prior to uploading, since there is no point using up SD card write cycles with ephemeral data like that.

#!/usr/bin/python
#$Id: takepic.py 58 2014-11-06 20:54:02Z ermine $
import time
import picamera
import paramiko
import os
import socket
import datetime
import RPi.GPIO as GPIO

GPIO.setmode(GPIO.BOARD) # USE Pi BOARD pins, not the BCM ver
GPIO.setup(7, GPIO.IN, pull_up_down=GPIO.PUD_UP) # 7 is next to gnd on pin 9, so set pull up

# defs
camerafail=False;
DIR='/run/shm/'
imagename=socket.gethostname()+'.jpg'
remotename='WEBSITE.COM' # assuming this is reachable by ssh and www
try :
    with picamera.PiCamera() as camera:
        #camera.resolution = (2592, 1944)
        # The following is equivalent
        #camera.resolution = camera.MAX_IMAGE_RESOLUTION
        # run half res to test out connectivity etc and save money
        #camera.led = False
        camera.resolution = camera.MAX_IMAGE_RESOLUTION
        #camera.resolution = (1296, 972) # do half real to eliminate Bayer softness and save TX bandwidth
        camera.exposure_mode='night'
        camera.meter_mode='matrix'
        camera.start_preview()
        time.sleep(2)
        camera.capture(DIR+imagename, resize=(1296,972), format='jpeg', quality=20)
except picamera.PiCameraError,e :
    print e
    camerafail=True
finally :
        camera.close()
time.sleep(10) # hopefully nw is up by now 
if(GPIO.input(7) ==1):
    #print "will shutdown"
    os.system("/usr/bin/sudo /sbin/shutdown -h +4 &")

    if not(camerafail) :


        timedout=False
        connected=False
        counter=0

        while (not timedout) and not connected :
            try :
                s = socket.socket(socket.AF_INET, socket.SOCK_DGRAM)
                s.connect((remotename,80))
                print(s.getsockname()[0])
                connected=True
            except socket.error,e :
                
                counter += 1
                print counter
            finally: 
                s.close()
            time.sleep(5)
            if counter >= 5:
                timedout=True
                print 'Failed to connect to ',remotename,' ',datetime.datetime.now().strftime("%y/%m/%d %H:%M")
        
        

         
        #upload
        if not timedout: 
            print 'ftp image starting ',datetime.datetime.now().strftime("%y/%m/%d %H:%M")
            try :
                ssh = paramiko.SSHClient()
                ssh.set_missing_host_key_policy(paramiko.AutoAddPolicy())
                ssh.connect(remotename, port=2222, username='USERNAME', password='PASSWORD')
                sftp = ssh.open_sftp();
                sftp.put(DIR+imagename, '/home/DIR/'+imagename)
                sftp.close()
                print "closed SFTP"
            except paramiko.AuthenticationException,e :
                print e
            except socket.error,e :
                print e
else :
    print "manually aborted by jumper 7 to 9"

Power savings

This has massively reduced the power drain of the camera – it is < 200mA for a third of the time, with an outage during the night of about 1/3 of the time, so about 1/3 × 2/3 × 200mA average, ie ~50mA. The original power drain was about 300mA 24×7.This power drain is much less than an electric fence which is usually about 150mA, so it could be used from the fence battery, which would then let us monitor the fence battery voltage as a bonus.

It also suits solar panel charging well, as the power drain is proportional to day length. The WiFi node draws more (a sustained 200mA during the day) but at least it is just one place where the battery needs changing more often – about once every two weeks. That’s livable with, but if I’d used a WiFi long-distance connect and a WiFi high power AP that would be shortened too much, particularly as logging into BT Fon would require another Pi to keep the connection open. GiffGaff run about £7.50 per Gb PAYG which isn’t bad.

Got pigs

Got pigs
Got pigs, end of the day picture in lowish light, 4:30 pm November

So far so good. The new pigcam

  • works all over the likely sites on the farm
  • concentrates the data through one GiffGaff SIM[ref]data service gets cheaper with volume, so this is much better than each camera having a SIM[/ref]
  • reduces power at camera sites to minimal
  • lets me add more than one camera to the system

which is a success compared to the single site version which had a very high power drain because it wasn’t being power-managed.

Pigs
Pigs, photo taken with a regular camera earlier in the day

  1. In service mode I get to ssh into the Pi to configure it, and issue the shutdown command manually – I bypass the microcontroller shutdown for that 

Resonant sounds of London’s Museumland

I went to university at Imperial College, in the chi-chi London district of South Kensington.  The area has much to offer the field recordist in terms of resonant public spaces. If you want to avoid the rain or simply enjoy the soundscape  you can take the long pedestrian tunnel under Exhibition Road from the tube station to the museums.

I recently returned to Imperial and went to the Alumni reception who served excellent coffee, gratis. It’s a world away from the machine coffee and plastic cups and ‘coffee whitener’ that fuelled my studies in the Physics department many years ago. The entrance to the College from Exhibition Road is now an enclosed space with lots of glass and hard surfaces, it has an interesting acoustic of its own – I recorded this space from next to the statue of Queen Mary

Footfall Foley wizards will hear the tapping aren’t high heels which most people would associate with the percussive sound but Blakeys on a man’s shoes.

South Kensington has three lovely Victorian museums. Massive galleried spaces over several floors and often a curved vaulting ceiling. These are just made for binaural stereo!

I went to the Science Museum in Exhibition Road, part of a cluster of Victorian Museum buildings. The others are the Victoria and Albert and the Natural History Museum. The latter has an amazing curved atrium and a fine acoustic space.

In the Science Museum on the ground floor near the space exhibition

the next recording is from the Energy exhibition on the second floor, looking over the massive open space to the steam engines on the ground floor

the sharp snap at 00:32 is an art exhibit marked do not touch, which of course everyone touches, resulting in a spark and a slight shock to the curious.

I enjoyed the visit and the incidental soundscapes. It is also good that Britain ended its dalliance with charging for museum entry.